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A Posada for Newport

  • Writer: wendydiamond20
    wendydiamond20
  • Jan 28, 2024
  • 2 min read

Whilst living and working in Hurst Cross, Ashton u Lyne, before we moved to Sourh Wales, I designed and developed an exhibition space in the South Transept of St John the Evangelist. The exhibition space started life for the Anniversary of the Magna Carta,then of the Battle of the Somme; 'Somme:Get involved'. Its aim was to encourage local people to take some ownership of the historical events, creating trenches and battalions of soldiers which formed a major part of the exhibition.

Once the respective exhibitions were finished, it left a void in the transept. I came up with the idea of creating a Posada, routed, not in 1st century Palestine, but in 21st Century Britain. The idea developed rapidly as the centre piece for a Christmas Tree Festival.

Why not Newport Cathedral in South Wales?

After negotiating where exactly the installation was to be cited, the young people in the choir became involved. They each decorated a house, gave it a number and these were added to the display. A number of adults contributed, laying the train track for the little train which was to stop at a local landmark on each Sunday in Advent. Thanks particularly to Carol Brown, who sculpted the cathedral and the replica of the bull and to Sallyanne Lightbown for taking charge of track laying and engineering the model train on which the Holy Family travelled around the city.

Many people have seen the installation and it has clearly spoken to them, adding another dimension to their understanding of the preparations before and the celebrations of Christmas. My thanks to the Dean and the staff at the cathedral for embracing this project. The Posada made the Church Times in the week before Christmas; a full account can be read on line at churchtimes.co.uk.

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Realising a Dream..

This is me. Setting out on my journey as a hobbyist potter.

Pottery was an ‘add on’ O level course when I was at school, only offered in the sixth form. In to studying Music and RE to A level, I embarked on pottery ‘O’ level as a bit of light relief. I loved it although I was never particularly good at it. I made a few pots, mainly handbuilding using slabbing and coiling but didn’t really learn much.

What I wanted to do more than anything was throw on the wheel – the school did have a wheel but no one was allowed near it unless they knew what they were doing… an interesting approach to the process of acquiring skill methinks. I do have one of my very first pots – rather crude really, but its mine, with my initials ‘scrauped’ on the base. Over the intervening years, of which there were many, I watched the art of throwing from a distance, always hoping that one day it would happen.


We had bought our little cottage in Halifax in 2009. Six years later the adjoining house became available so we set about creating a home by combining the two halves. The ‘under-dwelling’, a feature of a number of houses in that area of West Yorkshire was a real gem; we converted into a pottery studio for me and there began my journey. I enrolled on a course in Springhead. Oldham and my amazingly talented pottery teacher, Sue Devine gave me one-to-one tuition in throwing. I bought a pottery wheel and was given a small kiln. My journey had begun – 40 years later!

Twelve month ago, my partner and I moved to Newport in South Wales. I am most fortunate have a pottery studio here. Why Andante Ceramics? Well, I work slowly, I go with the flow, I create no deadlines for my self. My world of clay is completely self-asbsorbing and tomorrow, if I am fortunate to have one, is another day.

My media pages give a flavour of what I do and my blog documents my thoughts as I journey through the wonderful world of pottery and ceramics. I wont sell any of my work but I delight in making pieces specifically for friends; I love the challenge that creating bespoke pieces bring. If you would like me to make something special do please ask.

Wendy Diamond

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